Updates, updates, updates...

I haven't touched this blog in almost six months, and it's time to get back to adding more information here. We've been making steady progress at AEMMA in the last few months regarding rapier and spada da lato, and there are plenty of things to be posted in the coming weeks.

I have yet to decide where I will post the Anonymous Bolognese translation, and I'm thinking that once it is done, some of the more interesting parts may go here. But we shall see...

Review of Wednesday's material: Destreza

In our ever-continuing quest for being competent at many different things, we spent Wednesday night reviewing the Spanish material we touched on last week, and added a whole new batch of concepts and actions to the mix, culminating in some very nice free fencing, in spite of everyone's exhaustion. I'd like to review some of the key concepts that we covered, and I hope to expand upon some of the previous definitions and explanations given. I will give Italian equivalents where possible.

1) the four hand positions: uñas afuera (nails out - prima), uñas abajo (nails down - seconda), uñas adentro (nails in - terza), uñas arriba (nails up - quarta).
2) the five attacks: medio tajo (half cut - mandritto sgualimbro), medio revés (half reverse - riverso sgualimbro), tajo (cut - mandritto tondo), revés (reverse - riverso tondo) and estocada (thrust - stoccata).
3) atajo - this approximately means "gaining the sword" or "guadagnare", in Italian. Essentially, A pre-parries B's attack by placing his sword over B's (more of A's strong on more of B's weak?), and consequently forces B to make more actions or movements in order to strike A. This should be accompanied by the appropriate footwork.
4) Movimientos (movements - no true equivalent in Italian). There are six in Spanish, which can be combined in various ways: natural (natural, or downward), violento (violent, or upward), accidental (accidental, or forward), extraño (strange, or backward), de remiso (lateral, away from centreline), de reducción (lateral, toward the centreline). An estocada is formed of only one movement - accidental - whereas a cut can be made of up to three.
5) compases (footwork). There are essentially three types: linear (forward, backward, lateral), circular (along the circle), and angular (into the circle).
6) desvio (derailment). This involves parrying the opponent's attack by stepping offline, turning the true edge (in all but the lower outside line, where the false edge could work), striking the opponent at the same time. This is analogous to the "waiting" counters in Italian rapier, i.e. I wait until my opponent attacks to counter him.
7) transport (need to find the Spanish term form for this...). Following an atajo, I move my opponent's blade to the opposite quandrant, e.g. from high inside to low outside, low inside to high outside, etc.
8) cambio de atajo (literally, change of atajo, analogous to a cavazione).
9) expulsion (again, need to find the Spanish term). Instead of sticking to the opponent's blade following a transport, the blade is driven far offline with a push through the weapon.

We did pretty good looking at and applying these actions at the end of the night. I hope to increase the difficulty a little bit for next time, and add some more actions to the mix.

Review: 27 February

We got through a lot of material in today's rapier class, and everyone was looking pretty good towards, albeit a bit tired. Here's a list of what we did today for both warm-ups and drills, so next time we can hit the floor running:

1) Basic footwork, both leads.

2) Thrusts at all ranges (stretta, larga, larghissima)

3) Chasing the target (with both gathering and passing steps)

4) Tessitura, version 1

5) Approaching drills (all cavazione, cavazione w/oppostion, all opposition, mixed)

6) Defense drills:

a) Countering during the opponent's attack (w/opposition or cavazione)

b) Attacking during the opponent's step forward (cavazione di tempo)

c) Interrupting the attacker's approach with a counter step

7) Attacker/defender drill

8) Seizing the initiative/mostly free fencing (solo work with me)

I'd like to do a lot more of the last drill in the coming weeks, so we can grind out attacks done out of tempo.

Destreza: a reintroduction to Spanish swordsmanship

In the past week, I have managed to confirm that Maestro Ramón Martinez, of the Martinez Academy in New York, will be giving a weekend-long workshop at the Fighting Arts Collective on May 14th and 15th. For anyone who was present last year, we'll be picking up right where we left off, which is pretty deep into the system! To ensure that everyone is ready for the workshop - and for my own reasons - I'll be replacing the Dall'Agocchie study group with a Spanish swordsmanship study group from 9-11 on Wednesday evenings. We'll be looking at the system from the ground up, get plenty of fencing practice in, and (I hope!) get some Spanish vs. Italian action going.

So to better prepare everyone for the workshop, it will definitely be worth it to go over some of the basic fencing terminology employed by the Spanish fencing masters, so we're all on the same page.

1. Afirmarse: literally, "to steady oneself." The upright position in which the fencer will stand.

2. The four hand positions: uñas arriba (quarta), uñas adentro (terza), uñas abajo (seconda) and uñas afuera (prima). In all cases, the arm is fully extended.

3. Compases: the steps. Essentially, there are linear steps (forward, backward, to either side), ciruclar steps (along the imaginary circle), and angular steps (along an arc).

4. Atajo, from the Real Academia dictionary: Treta para herir al adversario por el camino más corto esquivando la defensa. Essentially, it means to place the true edge (in most cases) opposite the opponent's point, pre-parrying any attack. This implies either a step to the right (atajo to the inside), or to the left (atajo to the outside)

5. estocada: a thrust, which is not delivered like a lunge, but with a step with both feet.

6. desvío: a derailing or deflection of the attack, together with a simultaneous counterattack. This is done by stepping along the circle in the same direction the opponent is stepping.

7. golpe: a blow, or cut. There are really only four cuts: two downward diagonal cuts, two horizontal cuts.

That's all that I can think of for now; more on this later!

News

This is just a quick bit of news that won't affect anyone who is currently in either the Capoferro or Dall'Agocchie study groups, but it is important all the same. Until further notice, both study groups are invitation only: no maybes, no popping in and out, CLOSED. The reason for this is twofold: 1) I'd rather have a dozen really good and dedicated fencers than twenty average ones, and 2) I personally need to continue to enjoy what I'm doing, otherwise I get burned out and lose interest. My ultimate goal is to have a solid programme in both traditions running smoothly when I leave at the end of next year, which can only be accomplished if I focus on those who have already dedicated themselves to this.

Otherwise, nothing has changed: the schedule remains as it was before this announcement.

Drills: correction

In my haste to post the drills in anticipation of Monday's session (which went very well, I thought), I neglected to put in the interruption drill between the cavazione di tempo and the defenses done in place. So the drill list should read like this:

1. Lunges

2. Footwork

3. Tessitura

4. Approaching drills

5. Cavazione di tempo

6. Interrupting step

7. Opposition or cavazione counterattack in place

8. False attacks

9. Attacker vs. Defender

Tomorrow we'll have a camera (and some time) at our disposal, so photos and video of rapier and sidesword will be going up tomorrow night. Until then.

First Sunday Class

After a number of schedule changes over the past few months, we've finally settled on Sunday afternoons for the Italian rapier class. All in all, I think it went very well, and I hope in the coming weeks we can make it even more efficient, which will allow us to accomplish more in less time. Specifically, once everyone learns the basic drills (which I described in the previous post), we can save lots of time by moving from one to the other immediately.

Everyone did remarkably well today, and aside from a few scrapes and bruises, we all made it out alive. I already mentioned a few issues that came up today after class, but it would be useful to repeat some of them here, as everyone was doing one or more of these at some point during class.

1. Overextending on the lunge: this can manifest itself as rolling onto the left ankle (which will ultimately lead to the destruction of that ankle), coming up onto the ball of the left foot (which hides your true measure), or sliding the rear foot as you attack (which also gives you a false sense of measure).

2. "The sinking lunge": this is related to the first one, but with a different physical manifestation. While it may seem like a good idea to lunge low to gain more distance, you are committing two major errors: a) your vita is not moving in a straight line, so it is not the most efficient movement, and b) you are abandoning any leverage advantage you might have had; in other words, you are giving your debole to your opponent.

3. Circling: Capoferro strongly discourages the practice (see "On those who circle", in the second part of his book), as it is not particularly useful for someone standing the Italian guard, nor does it allow for most of the defenses that we practice.

4. Over-reliance on cutting: while I am entirely guilty of cutting on a regular basis, the rapier is optimized for thrusting, with cuts coming in only if the point is no longer of any use.

We'll work on some of these issues tomorrow during drill time.

Italian rapier drills

This post will primarily be of interest for those who come to the drills only session on Monday nights, but is useful for anyone who comes to rapier class, either at FAC or at UofT. I've been thinking of ways to make our training more efficient for two reasons: 1) I don't have any time to waste (and this is quite literal), and 2) If we already know the drills and are familiar with them, we can skip the often-long demonstrations of each drill, which means more fencing time. As we gain more experience and become level 2 or 3 fencers (with a +1 bonus to attack and defend), we can modify/upgrade or even replace some of the drills listed below; but as of now, here they are:

1) Thrusting: 15 thrusts at misura stretta, 12 lunges at misura larga, and 10 passate at misura larghissima.

2) Footwork: leader/follower drill with frequent role changes.

3) Tessitura*: 20 continuous attacks against a cooperative partner in various hand positions and various ranges.

4) Basic approaching drills, aka "The Spiral drill": beginning from out of measure, approach and strike the opponent using cavazione only, opposition only, and a combination of the two.

5) Cavazione di tempo drill: during the agent's step to misura larga, the patient will perform a cavazione and lunge, striking the agent before his foot lands.

6) The rock defense drills, aka "The counter-Spiral drill": if the agent attacks with a cavazione, counter with an opposition; if the agent attacks with an opposition, counter with a cavazione (with or without a piegatura di vita); alternatively, counter with a scanso della vita on either side.

7) False attack drill: knowing that the patient will defend, the agent will do a false attack to draw out the defense, and follow on with an appropriate second attack (under the sword, transport, cut, etc.)

8) Attacker/defender: application of all the previous drills in a restricted game.

*Literally, this term means "weaving", which resembles the interplay between the swords. I can't explain it in words, so I'll get some video on Sunday and put it up.

Back to the drawing board

We're well into the New Year, and nary a post from me to be seen. But no longer! I'm back into the groove, and the number of sessions I'm running per week at AEMMA (and at UofT again) has doubled since last year. I've been working on a lot of new drills for our Dall'Agocchie study group; our seminar with Jared Kirby has given us plenty of rapier drills to master, and sword and dagger is not too far off in the horizon...in short, there is plenty to look forward to.

As for this blog, it's become quite clear that rather than posting up long sections of text, it would be much more useful to regularly post shorter descriptions of the class with photos and video from each session. Considering how difficult it is to interpret the systems from the written version in the first place, it only seems to add more confusion when I paraphrase the masters' words here. So instead, I'll be making much better use of visual content in the coming weeks.

For those of you who haven't been around recently, here are some of the events that are going on right now, or in the very near future:

Classes

1. Monday 18h00-19h00: rapier drills
2. Wednesday 21h00-23h00: Dall'Agocchie study group
3. Thursday 16h30-18h00: rapier class @UofT
4. Sunday 13h00-15h00: rapier class

Events and seminars

1. Starting 22 January (this Saturday), I'll be teaching an introductory course in Italian rapier at FAC through the ROM, from 14h00-15h30.
2. On 30 January (next Sunday), FAC will be having its annual open house, where all the schools that make up the Collective show off their stuff to the public. Everyone is welcome! 14h00-16h00.
3. On the first or second weekend of May (to be confirmed), we will be hosting Maestro Ramon Martinez for another Destreza seminar. More details to follow in the coming weeks.

Capoferro review: 20 November

I have come a very long way as an instructor since October 2008, when I first began teaching at AEMMA. While I knew a fair amount then (not nearly as much as I do now, obviously), I wasn't particularly good at delivering what I knew effectively. In the past few months, however, I've noticed a tremendous spike in my ability to transmit what I know from rapier and sidesword. Everyone who has taken classes with me since June has "gained a few extra levels" much faster than I anticipated, and I'd like to think I'm doing something right. The reason I bring this up at all is because we covered nearly all of the drills yesterday in just under two hours, and I know we can make even more effective use of our time when everyone knows the drills.

Since everyone was more or less a beginner yesterday, we started with the absolute basics (vita thrust, lunge, passata), and gradually worked our way through more and more complicated drills, from the cavazione-opposition drill to the cavazione di tempo drill, all the way to incorporating the scanso della vita. Yeah, I know. For those of you who are reading this is a review, here it is:

1) Warm-ups: 15 vita thrusts, 12 lunges, 10 passate. Then we move on to the measure drill, tessitura (striking during my opponent's motion), and the simple cavazione-opposition drills.

2) The basic approaching drills (attacker "wins"):

a) attacker approaches and strikes via cavazione (defender opposes)

b) " and strikes via opposition (defender performs cavazioni).

3) The intermediate approaching drills (defender wins via interruption):

a) attacker approaches and defender counter-steps in the same time, as the attacker goes to cover himself (either in place or by stepping back) the defender strikes.

b) attacker approaches and defender counter-steps back in the same time, as the attacker gives chase, the defender strikes as soon as the attacker steps into measure.

4) The upper intermediate approaching drills (defender wins by waiting):

a) attacker approaches (defender opposes), and as the attacker thrusts via cavazione, defender counters with an opposition.

b) attacker approaches (defenders performs cavazioni), and as the attacker thrusts via cavazione, defender yields to the pressure, either with a scanso della vita (on the inside) or with a passing step in prima (on the outside).

There are more drills that can be added, but these are the absolute basics. We'll go over these some more over the coming weeks.

Back on track!

Now that my free scholler challenge is over and done with, I can get back to posting here regularly. The 31st of October marked the return of Capoferro to the curriculum, as I gave a four hour introduction to Italian rapier to a group of six students. We covered an enormous amount of material in that time, and I think that I can make some serious progress with this group. This time around, I really want to emphasize that we are fighting with rapiers, and not rapier fencing. I think this requires a bit of explanation...

I've been doing a lot of thinking over the last two years about the rapier, and I strongly believe that the sum of the Art is not to be contained within the works of Capoferro, Fabris, Giganti, etc. Rather, these masters described a number of basic actions or plays that are the building blocks of fighting with a rapier, but not the sum. It's not as if the day Fabris published his treatise on fencing everyone forgot how to cut, grapple or fight "dirty", so to speak. My goal, then, is to train everyone to exploit the strengths of the weapon, and make use of everything we learn from Fiore's texts when things are less than ideal, i.e. when the tip and edge are no longer of use.

As for the Dall'Agocchie study group, we are still working hard on Wednesday nights. Over the course of the past few months, we've really made some serious progress in simplifying the system, so much so that a curriculum is not far off in the future. We've worked out all of the defenses, the provocations and their counters, as well as the stretto plays and their counters. All that remains is the paired form, and then the entire first section of his treatise is complete. This next Sunday, I'll be doing an introduction/recap of the system from 1-5, during which we'll be going over everything. With any luck, we can then bring in some new blood to the study group, and have multiple mini-groups working.

Finally, my plan for the new year is to start working on the sword and dagger section from Dall'Agocchie. As it stands, there are three of us who can really work through this right now, and I plan on doing the same thing I had done with single sword: breakdown and perform every defense, learn the provocations and their counters, and go through the paired form. That should take a few months, and then we'll move on to sword and cloak, and then two swords. Things should prove to be exciting in the next couple months. I'll be posting notes from both study groups on Thursdays and Saturdays.

Updates! There must be updates!

The events of the last six weeks have really kept me away from posting any new material in a while; preparing for the start of a new school term, going to ISMAC, and teaching a "graduate" course have all taken their toll, but I feel like I've got everything under wraps. I don't want to write too much here today, because I'll have a lot more to say on Sunday; we've done some very interesting (and productive!) drills in class, and they are paying off in a big way.

For those of you not in the know, as of the 31st of October, I am reinstating the Italian rapier programme at FAC, which will have been on hiatus for just over four months. The reasons for putting it on the shelf are numerous, and the reasons for bringing it back are just as many, so I won't delve into the details. The two main reasons I'm bringing it back are:

1. There is no better way to learn how to thrust properly. It also teaches the student how to maximize his or her efficiency.

2. The notions of gaining and constraining are very explicit, which facilitates a quicker (in my opinion) understanding of fencing theory, and how it can be played with.

I'd love to do more than one class per week, but the fact of the matter is that I'm a full-time PhD student, and I want to finish on time. I'll try to run longer classes on a regular basis, but that's all I can do about that.

Secondly, if rapier is coming back on, that means that something is going away: the Dall'Agocchie study group will only run on Wednesday evenings from 9h00-11h00 (ish). Participation is still by invitation only, as the group assumes a considerable familiarity with the sword in one hand. After three months (maybe longer?) of hard work, I'll finally be ready to bring in a new group of students starting October 17th, when I will be giving a short seminar on Dall'Agocchie's system. If you're new and you want to come out to the study group, this seminar is MANDATORY, no exceptions. More details to follow in the next week or so.

Destreza seminar recap

It would seem that school has been keeping me much busier than I could have possibly thought. I'm glad I only have to go through the PhD qualifying exams once. Only one more week, and then my life goes back to normal! Anyway, enough about me; last weekend (April 17th and 18th), AEMMA had the pleasure to host Maestro Ramon Martinez from the Martinez Academy in New York City for a seminar on the Spanish school of swordsmanship, also known as "La Verdadera Destreza." In the following paragraphs, I will give a brief description of the system, as well as some of the concepts and drills that we learned over the course of the two days.

The Spanish school of swordsmanship can be traced back to a 16th century lawyer named Don Jeronimo Sanchez de Carranza, who wrote his fencing treatise De la Filosofía de las Armas y de su Destreza y la Aggression y Defensa Cristiana in 1569. It appears, however, that his work was actually a compendium of techniques and concepts that he had collected throughout his lifetime. His fencing method remained relatively unchanged for nearly three hundred years, and was adapted for use with a number of weapons, including the sidesword, rapier, and sabre, as well as with accompanying weapons (dagger, cloak, and buckler).

Maestro Martinez introduced us to some of the fundamental concepts of Destreza, which started with us going over the footwork of the system. Somewhat unsurprisingly, it bears a remarkable similarity to what we already do with Fiore, the only difference being the considerable focus on circular movement. One of the drills we did, for example, began with two fencers standing directly opposite each other. A's job was to walk clockwise around the circle, with the intention of getting to the outside of B; B's role is to maintain the diameter of the circle. We did a number of drills that involved similar actions (changing direction, stealing the lead, stealing the lead by changing direction, and so on), both with and without the sword.

Building on the previous drills, we then looked at the various blade engagements, or atajos. More so than in Italian rapier, attacks to all four quadrants (outside high and low, inside high and low) are all equally possible, and rely on taking the appropriate step: when making the atajo to the outside, you step to your left, and you step to your left when making the atajo to the inside. Since this is not something I can really describe, I'll need to post some video on how this is done. (Will be up soon, I promise!) Once we got a firm grasp of how the basic blade engagements work, we then went on to practice cambio, which is analogous to the Italian cavazione (both over and under the sword, depending on the position of the sword). I'll continue with my report tomorrow.

After a long break...

The last few months have proven more challenging for me than I had initially thought, and as such, I have had little time to dedicate to the blog. As of this week, my trials and tribulations are finally over! And so the blogging shall continue.

Starting in April, I'll be posting a large amount of material that I've been working on over the past few months, specifically the sidesword material that I've been working on with Aldo, the partisan/partisan and shield plays I've interpreted, and a large quantity of drills we've been working on in rapier. I really want to make the push towards rapier and dagger, so that's where my focus is going to be for the next couple of months.

Rapier training for the next month

Another month, another focus. I've been playing around with a few different ideas in class recently, and I've been very pleased with the results they have been bringing. As I promised at the end of 2009, we're going to be spending a fair amount of time working with feints and the plates of Capoferro during the next two months, after which we'll have a general exam at the beginning of April before Maestro Martinez's seminar on Destreza towards the end of the month. (To which I strongly recommend everyone goes...).

In terms of new drills, there's little new technical material to introduce - we've really covered every useful thing to be done with the unaccompanied sword - so we're moving on to some more tactical-based drills. Specifically, I wanted to examine three scenarios: 1) the patient steps in with the initial guadagnare and thus becomes the agent; 2) the appropriate use of the passing lunge; 3) deviating from the linea retta, i.e. looking at the plates.

Finally, much more fencing. I continue to enjoy the agent/patient drills we've been working on, and now I'd like to move into some more "extreme" scenarios: endurance, having already been struck, Highlander. Let's see how it all works out on Wednesday night!

Workshop review: 17 January

Today I gave a short (just under three hours) workshop on the Capoferro's 1610 rapier treatise. Although it was aimed primarily at new students, there was plenty of material for more regular students to work on. Despite the brevity of the workshop, we managed to cover a lot of things; although we didn't get to the piegatura della vita as a final response for either the agent or the patient, we went through all four intelligent responses to guadagnare: cavazione di tempo, change of guard di tempo (there has to be a better name for that!), cut to the sword via cavazione, and the half-cavazione. Overall, it was a success.

Where do we want to go from here? We'll continue refining our sensitivity through the more complex fencing drills I've introduced in the past couple of weeks, and then (or perhaps concurrently) I'd like to examine some of the feints, and how they affect the fight. I've been thinking specifically about feints that allow the agent to strike underneath the sword, as well as using the half-cavazione as the aggressor; difficult, but I've witnessed it numerous times. After that, it's time to look at the body voids and the plates; by the end of April, we should be good to go on rapier and dagger after the mass examination. More details on that to follow.

Class review: more drills

After teaching today's class, which went very well, in my humble opinion, I realized that there is another way to categorize the drills we do: drills where the attacker wins, drills where the defender wins, and drills where the attacker wins again. In other words, the drills go from the most simple to the most complex.

Simple drills in which the attacker wins:

1) Spiral drill, version 1: the attacker thrusts via a contra-cavazione because the defender simply goes to cover himself.

2) Spiral drill, version 2: the attacker thrusts via a change of guard (i.e. opposition) because the defender simply covers himself without threatening. With weapons of equal length, this must be done earlier in the tempo, whereas with weapons of varying lengths, the fencer with the shorter blade will almost always do this version, whereas the fencer with the longer blade will perform the first action mentioned above.

3) Spiral drill, version 3: the attacker cuts to the blade in order to create motion from stillness, and then does one of three things -

a) follows immediately with a falso dritto or falso manco with a step to the face or throat. It is important that the hilt stays low to cover a flailing action from the defender.

b) if the defender cuts back up with the sword, the attacker will perform a cavazione with a change of guard and thrust to the open target.

c) if the defender performs a cavazione to cover, the attacker will exchange guards and thrust to the open target.

Complex drills in which the defender wins:

1) Cavazione di tempo: can be done against actions 1,2 or 3 mentioned above.

2) Exchange of guard di tempo: can also be done against actions 1,2 or 3 mentioned above.

3) Cavazione with a cut to the sword: can be done against actions 1,2 or 3 mentioned above. As with action 3, the ultimate attack depends upon the attacker's follow-up action.

4) Half-cavazione: can be done against actions 1,2 or 3 mentioned above.

5) Ceding of the vita: performed against the cut mentioned in part a of the third version of the spiral drill. The defender cedes the vita together and thrusts to the open target.

Most complex drills in which the attacker wins:

1) Ceding of the vita: can be done against complex actions 1 and 2 of the defender.

a) if the defender performs a cavazione di tempo, the attacker will cede the vita and thrust in the same guard.

b) if the defender performs an exchange of guard di tempo, the attacker will cede the vita and peform a cavazione together with a change of guard.

2) Ceding of the vita against the cut: identical to action 5 mentioned in the complex drills.

The only thing we need to add now are strikes below the sword (covered in the coming weeks), voids of the body, and what to do against an unorthodox fencer. Well, maybe the phrasing on that was a bit unjust; "only" implies that this will take but a short while, when in reality we will be working on and refining this actions over the course of the next couple of years.

Class review: new curriculum drills

The principles underlying fencing have become crystal-clear to me over the past month or so. Though I would not go so far as to say that I'm great at it - I still need much more practice to get to where I need to be - I know exactly how to get there. I've added to and refined somewhat the drills that Jared gave to us in September, and here is what class looks like now: a combination of "technique" drills, more stressful versions of those drills, and fencing drills.

Technique drills:

1) Cavazione di tempo, simple version: both fencers begin in terza with the tips crossed, and the agent will step forward to stringere. In that time, the patient will perform a cavazione and thrust to the opposite side. As in every other drill, the timing on this is of the utmost importance.

2) Ceding the vita, simple version: both fencers begin in terza with the tips crossed, and the agent will again step forward to stringere, paying close attention to the length of the initial step. As the patient performs the cavazione di tempo, the agent will cede the vita, allowing a mini-cavazione and a thrust in contratempo.

3) Perfect spiral, simple version: from out of measure, the agent makes a threat to the inside or the outside, which the patient will cover. During the patient's action, the agent will perform a cavazione while stepping forward. The patient will perform a cavazione to make the cover, and during that time, the offender will perform a contra-cavazione thrust.

4) Perfect spiral with cavazione di tempo: as above, only the patient will perform a cavazione di tempo and thrust during the agent's first cavazione.

5) Perfect spiral with opposition: as above, only the patient will perform an exchange of guard (opposition) during the opponent's first cavazione, and immediately thrust.

6) Perfect spiral, advanced version: as above, only during the patient's cavazione di tempo, the attacker will cede the vita and strike via a mini-cavazione to the new opening.

7) Imperfect spiral, simple version: as the perfect spiral, only the agent will perform an exchange of guard (from 4th to 2nd, or 2nd to 4th) during the patient's cavazione.

8) Imperfect spiral with cavazione di tempo: identical to number 4.

9) Imperfect spiral with opposition: identical to number 5.

10) Imperfect spiral, advanced version: as number 6, only during the patient's exchange of guard, the agent will perform a ceding of the vita and thrust via a change of guard.

Stress drills:

1) Increase the pace of any of the above drills. (This doesn't mean "go blindingly fast"; it simply means to lessen the time taken between actions.)

2) Vary the tempo of the action. (Again, this doesn't mean "go blindingly fast"; in this case we attempt to eliminate any foreknowledge of the action.)

3) Begin from a weak position, i.e. with the patient stringered.

Fencing drills:

1) Agent/patient, version 1: for X minutes, one fencer is the agente, and the other the patient. During that time, the agente will move in to strike the patient, and will only do so if he has "eyes" for what the patient is doing. No cutting. A constant motion drill.

2) Agent/patient, version 2: as above, only now cutting is also in. A motion and stillness drill.

3) 3 hits: as the above two drills, only this time, the agent/patient element is eliminated. This can be done with either thrusts only, or with cuts as well.

There are many more drills I'd like to put in here, but I'll leave it here for now. More to follow this weekend!

Class review: 5th of December

What a class! Over the past couple of weeks, we have begun digging deeper into the system, and I know that I have been discovering some very interesting things as a result. The focus of this month is cutting with the rapier, both as agente and paziente, and has really brought some of Capoferro's more difficult to interpret passages to light; yes, they actually make sense to me now.

The one thing that had always bothered me since I first read his treatise in 2006 was the section on guadagnare in the second part of the book; what is the smart thing to do if you're in a weak position? First, "you don't do this, and you never do this, but you will do this." So what exactly does that mean? In the course of today's class, we were able to show these three responses in action, and...they work very well. I also realized today that they're all enshrined in some of the drills we've already been doing, heh heh.

1) "You must never disengage in order to throw a full blow." Like we were taught in grammar class, let's make that a positive statement: perform a cavazione to throw a half blow, i.e. a mezzo mandritto or a mezzo riverso, and then follow with an action that hinges on the opponent's reaction to it.

a) if the opponent attempts to clear your sword with the false edge, perform a cavazione and strike in the opposition hand position. For example, if you threw a mandritto to his sword, perform a cavazione as he comes back with the cut and thrust in seconda, and vice-versa.

b) if the opponent attempts to cover the threatened part of his body - i.e. guadagnare - exchange guards and thrust. For example, if you threw a mandritto to his sword, exchange guards and attack in seconda as he comes back with the cavazione, and vice-versa.

c) if the opponent's sword is excellently cleared by your cut, throw a false edge cut to the face, followed by a thrust if necessary. For example, if you throw a mandritto to his sword, cut to the face on the same line with a falso dritto. It is important that the hand stays low during the cut to prevent being struck by a flailing opponent.

2) "Never parry and then strike." Again as a positive statement, always parry and strike in the same tempo, not two. Although I've never explicitly mentioned this in class - probably because I never really made the connection - this is the cavazione di tempo. As my opponent comes to misura larga via a cavazione, rather than simply closing the line via a cavazione-guadagnare, I thrust via the cavazione, all in one motion.

3) Huge paraphrase here: "Perform a half-cavazione, and thrust to either side of the sword as the opponent approaches." The final option we as the defender have at our disposal can best be classified as a defensive feint, though it could be used by the aggressor as well. In this case, rather than take an offensive action as we did above, we will perform a half-cavazione (coming to terza) with a ceding of the vita (this is key); we thereby give the illusion of making distance, when in reality we are still at misura larga. If the opponent decides to step again, we strike on either side of his sword without having to do a cavazione, because our sword is right in the middle.

And another thing: the attacker and the defender's roles constantly blend together, so at any point, we could be doing these things back and forth to each other.

Class review: 19th of November

Tonight's class was a good review for everyone who showed up; since only a few students showed up last week because of the "November Reading Week" (two days, really), it had been two weeks since anyone had picked up a sword. We went over all of the basics, refined some of our motions (particularly in relation to the correct tempo), and went as far as option three, creating motion.

One thing I mentioned tonight that seems to have frightened a few people was that I would be giving the first rank examination next Thursday at the beginning of class. This is both a formality and a necessity: formality because everyone already knows very well what I'll be testing them on, necessity because no one can free fence without passing this small hurdle. What I'm really aiming for with the examination is to make the commitment to Capoferro's system, which necessarily means abandoning anything that does not belong in it (the actions described in the plates are exceptions to this rule), and improve our skill in that system until we can take on anyone from another school, be they Spanish, Italian, German or self-trained. It's not enough for us to be good fighters; we need to be exemplary fencers. Only then can we begin to branch out and begin to examine other methods of performing the same kinds of actions.